Category Archives: Announcements

Awards, new books, and so on

REVIEWS: Two Books, Much Love

Today’s news covers some reviews from the first half of this month. EXCELSIOR!

Back at the start of the month brought news the mystery The Designated Coconut written by John Travis had been reviewed by Library Journal. Plus, they liked it! Hooray!

Library Journal logo
Travis’s clever second series entry (after The Terror and the Tortoiseshell) is for readers willing to suspend disbelief… the animal characters endear themselves to readers… in this admirable comedic stab at blending speculative fiction with crime.

Library Journal (April 1st, 2013; Vol. 138, Issue 6, p65)

You can also order copies of both that title and the other “Benji Spriteman Mystery”, The Terror and the Tortoiseshell, both in hardcover for one LOW LOW PRICE of just $40 /​ £25!

Then today, the Library Journal review for John Llewellyn Probert’s book The House that Death Built arrived! HUZZAH!

Library Journal logo
The Dark Manor, constructed atop one of England’s ancient stone circles, radiates malevolence and hostility. Wealthy industrialist William Marx built the house in hopes of connecting with the spirit world, though Marx was never seen again after he entered the house. Its current owner, Sir Anthony Calverton, contacts a pair of paranormal investigators, Mr. Massene Henderson and Miss Samantha Jephcott, to furnish him with proof of supernatural activity in the house. The inclusion of four other investigators, including Sir Anthony’s niece, her physicist husband, and a famous TV “psychic,” sets the stage for a classic horror tale with a mystery at its heart. VERDICT: Probert’s début novel presents the first full-​​length adventure for paranormal investigators Henderson and Jephcott, whose previous cases have been chronicled in the collection Against the Darkness. Although the setting is contemporary, the protagonists display an endearing Victorian archness. This is a delightfully scary book.

–Jackie Cassada, Library Journal (April 15th, 2013; Vol. 138, Issue 7, p61)

Hooray! Click those links to order your copies TODAY!

ARTWORK: Cover of Sleepless Knights Revealed

Jimmy Broxton’s contribution of cover art to Mark H Williams’ début Sleepless Knights brings ‘the final piece of the puzzle’ for a project that has been quietly bubbling away at Atomic Fez Publishing for nearly two years. The title will be formally released on August 5th of this year, and is currently available for pre-​​order from the publisher for 33% less than retail price.

CLICK to embiggen / close
Cover of “Sleepless Knights” by Jimmy Broxton

Mr. Broxton – whose work has graced the pages of Knight & SquireSaucer Country, and The Unwritten – has provided his prodigious gifts to the outsides of Sleepless Knights, with the final cover art on the right for your entertainment and adoration.

As both the proprietor and publisher, Ian Alexander Martin couldn’t be happier than he is with the artwork, calling it “much more than I had imagined possible. There’s a simple, graphic quality to the design that the typical small press book doesn’t possess, and the cover’s style is eye-​​catching in the same way that the works of Saul Bass were. I’d marry this cover if I could!”

Mr. Williams, author of Sleepless Knights, explained that Mr. Broxton was asked to contribute something which was in keeping with the over-​​all tone of the novel, one which mixes “the domestic with the fantastic. ‘Gleeful anachronism’ might be a good way to describe it… But there’s also a poignant tone to the book – these characters are far from home and have all seen better days. In addition to the comedic elements to the book, the story of Sir Lucas is an unlikely hero’s journey that tests him to his limits and beyond, and I was keen to avoid anything too overly wacky.

“Jimmy responded with an initial sketch which he described as ‘a representation of authentic brass rubbings coming alive, cavorting, boozing, eating kebabs/​fried chicken and generally acting up as described… it’s comedic, but not a cartoon as such… a darker, more satirical feel.’ ”

The man, the legend: Jimmy Broxton [click to enlarge / close]
Jimmy Broxton

Mr. Williams concluded by hailing Mr. Broxton’s work saying that it “not only met that initial brief, but far exceeded my expectations. I’m hugely proud to have such a striking and original piece of design as the cover to Sleepless Knights.”

Mr. Broxton [recent security camera data, left] is a UK based graphic artist, illustrator and designer. He is best known for his work with Guy Adams restoring the iconic ‘60s comic strip Goldtiger by Antonio Barreti and Louis Shaeffer. He’s also known for his art for the Madefire ‘motion comic’ The Engine (also with with Mr. Adams), work on DC/Vertigo’s “The Unwritten” with Mike Carey; Paul Cornell’s “Knight and Squire” six issue mini series also for DC comics (collected in Batman: Knight and Squire), and a run of short stories for Dark Horse Comics Presents, working with writer Martin Conaghan.

His hobbies include: cooking, cycling, boxing, and pretending to be somebody else. He can be found on Twitter claiming to be @JimmyBrox.

For those really beside themselves with this design, we have all sorts of things to make your life complete!

Yes, we’ve got T–shirts for men and also for ladies! PLUS we’ve got coffee mugs made of aluminum (or aluminium if you insist). HOORAY!

Fully Labelled Products (for credit awareness)

Men’s Heavyweight T–shirt Questing Mug Ladies’ Fitted T–Shirt
CLICK for ordering details via SPREADSHIRT SITE [new window or tab]
[red only]
CLICK for ordering details via SPREADSHIRT SITE [new window or tab]
[steel only]
CLICK for ordering details via SPREADSHIRT SITE [new window or tab]
[red only]

"Un-Plugged" Products (for more subtlety)

Men’s Heavyweight T-​​shirt Questing Mug Domestic Mug Ladies’ Fitted T-​​Shirt
CLICK to order via SPREADSHIRT [new tab or window]
[red only]
CLICK to order via SPREADSHIRT [new tab or window]
[white or steel]
CLICK to order via SPREADSHIRT [new tab or window]
[white only]
CLICK to order via SPREADSHIRT [new tab or window]
[red only]

NEW TITLE: Sleepless Knights Now Available for Pre-Order

Starting right now, you can pre-​​order printed or electronic copies of Sleepless Knights, with the printed copies priced around 33% less than the Recommended Retail Price. It’s just Atomic Fez’s way of thanking you for your patience for your copy to arrive in August, and your confidence in the quality of the author’s ability.

[click to enlarge / reduce]
Mark H. Williams [photo by Simon Gough:]

To say the author, Mark H. Williams [image, left], is un-​​known is a bit of an understatement. He is, at this point, entirely unpublished. He’s written any number of plays, one of which was short-​​listed for an award. Until now, however, he hasn’t ever had anything published; short stories, novellas, novelettes, poetry, shopping lists, novels, nothing.

How this came to be is unexplainable. The novel is something to behold, as its details, plot lines, and characters do not even vaguely resemble what one would expect of someone of this little renown.

For the past year or so, he has been slaving away perfecting the text of Sleepless Knights. It arrived in damned good shape, but there were a few areas to improve, as he worked on those, re-​​submitted the manuscript, had it returned to him with accompanying demands for more changes, and then repeated the process. That’s all done now.

During that time, he was quite possibly the most patient man in the history of writing. He calmly waited whilst his editor/​publisher replaced all of his hard-​​drives when they failed; including one of them going through and expensive recovery process. Various financial hurdles placed themselves in the way of the title coming to fruition, which he also endured the experience of. Both of those, and more, caused his book to be delayed a fair few times. Now, the waiting has come to an end, and the ordering of copies can commence.

It’s not easy being the man behind the myth.

Sir Lucas is butler to King Arthur and the Knights of the Round Table – the person who managed every quest from behind the scenes. He’s a man whose average working day involved defeating witches and banishing werewolves, while ensuring the Royal pot of tea never crossed the thin line separating ‘brewed’ from ‘stewed.’ What’s more, 1,500 years after that golden age, he’s still doing it – here in the modern world, right under our noses.

When King Arthur and six of his knights are exposed as living among us, Merlin is unleashed and a grim apocalypse unfolds, uncovering secrets from the past that King Arthur would rather stay buried. When Lucas is forced to confront his own peculiar destiny, will he choose to sacrifice his true love and lay down his life in the service of his master?

Sleepless Knights is a tale of high adventure and warm humour, with a spring in its step, a twinkle in its eye and, at its heart, the ultimate butler.

“I suggest you find something to hold on to,” I said. “I fancy this will be somewhat unorthodox.”
     I edged the car onto the embankment at the side of the road, which got progressively steeper the closer we got to the tanker. Realising that I was not about to stop for him, or indeed his vehicle, the driver ran for the safety of the surrounding fields. Between the cab of the tanker and the side of the road there was a gap exactly half the width of the Jaguar. I took the last few metres of the embankment at top speed.
     The car swung up onto its right side. The wheels left the ground, and we shot up and clear through the gap. The weight of the Grail on the roof turned us upside down in mid-​​air, and the momentum of the jump flipped us back round again in a perfect side roll. We landed upright on the road, on the other side of the tanker, just as its engine caught fire.
     The world exploded.

REVIEW: The Terror and the Tortoiseshell

Today’s e-​​mail brought a note from author John Travis that Publishers Weekly had reviewed his mystery The Designated Coconut. Plus, they liked it! Hooray!

pwk_logoBritish author Travis’s quirky second Benji Spriteman whodunit (after 2010’s The Terror and the Tortoiseshell) offers a welcome return to a universe where, two years after an event known as the Terror, humans have been mostly wiped out. Abhoring a vacuum, nature has replaced humanity with animals, who have changed form — many walking upright and talking in human language. The altered creatures have filled the void in the workplace as well, taking over the occupations that used to employ people. Spriteman, a cat who has assumed the last name and business of his late human owner, is a 1950s-​​style hard-​​bitten PI. His latest exploit has an unlikely catalyst: “two female crime writers from overseas were coming to do a book tour.” Meanwhile, the magazine Dismemberment Monthly begins receiving threatening letters. Murder follows. Travis shows a deft hand for detail, as shown by the police using a flock of pigeons to mark the outline of a dead body with their droppings. (May)


7-77-7-7: Yes, Even Editors Get to Play Along

77777. No, it’s not a Mayan doomsday prophecy. It’s a lot of writers all sharing a piece of their latest work-​​in-​​progress. If you’re not familiar with this ‘share chain,’ you go to either page 7 or 77 of your current work in progress, scroll down 7 lines, and then copy the next seven lines into your status box. Then tag 7 other writers to do the same.

CLICK to embiggen
Actual image of inside Atomic Fez Headquarters.

The fiendish part of this is that I am not a writer. Editing, publishing, proofing; all of that. “That’s bad writing, and you do good writing! Do some of the good sort of writing in this bit of the story” is more my line of things. Actual writing; no.

So, here’s the three things being worked upon currently here in Atomic Fez’s secret underground lair [image, right]. Note that these are all not to be taken as “finished”, because there’s still things to do, including grammar and punctuation checking (plus who knows what else).

So… here we go then!

— — —  —  —  —  —  — —

Sleepless Knights, by Mark H. Williams, page 77

“Merlin!” I shouted, over the escalating din. “Close the portal!” The hooded head shook from side to side and the figure rose up through the hole to mid-​​torso. “We have made a mistake!” I cried, “Go back!” The wizard was now out up to his waist. A bolt of lightning sent another shower of rubble down on my head. With a loud thooming rush, Merlin shot clear out of the ground and up through the hole in the roof. The cave mouth was nearly blocked by debris, and, as I squeezed out through the remaining gap, another rock-​​fall closed it up behind me.

— — —  —  —  —  —  — —

I, Death by Mark Leslie, page 77:

“Shouldn’t you go?” I asked Julie. “I mean, her new boyfriend just died, after all, and …”

She interrupted me. “Sarah hasn’t been with anyone since you guys broke up, Peter.”


“I don’t know what you’ve been hearing, but she hasn’t been seeing anyone, – certainly not Chad – and she hasn’t even been spending time with me or any of her other friends all that much. She just wants to be left alone.”

— — —  —  —  —  —  —  — —

Unnatural Acts by John Llewellyn Probert (feel free to make a joke at this point, everyone else will), page 77:

“Well I’m sure you won’t get many clients where that happens,” David said. His words came out with far more venom than he had intended and he regretted it when Arielle looked hurt.

“I meant for your loss,” she said. “I can’t begin to imagine what it’s like, losing the one you love.”

“I’d gladly tell you,” David said, “Only right know I think I’d go insane if I had to try to put it into words.”

“That’s okay, you don’t have to,” she said.

— — —  —  —  —  —  —  — —

Thus, here we go with the taggage:

  • Christopher Fowler
  • Guy Adams
  • Chris Rothe
  • Carol Weekes
  • Paul Magrs
  • Nev Fountain
  • Barbara Gordon

RRP: An Open Letter to Retailers

The following notes were sent by myself to a book retailer who questioned the charging of a price on this site which is somewhat less than the “cover price” or “Recommended Retail Price” as stated on the back of the books and in all official listings of the books’ details.

CLICK to get details
THE HOUSE THAT DEATH BUILT, by John Llewellyn Probert [cover by Stephen Upham]

They are reproduced here in the interests of “transparency” for the benefit of both retailers and readers alike. It is hoped that this clarifies the matter, and that further understanding might be gained by it. The more all of us knows about how the world’s economy works, the better we can work within it for the benefit of us all.

My first reply was as follows, replying to the suggestion that I was charging the retailer the full RRP whilst selling here for less than RRP.

Actually, you’re being charged 40% less than the RRP (or 30% for Limited Editions), so you’re still making money. You’re entirely free to choose whatever price you wish; as is anyone, for that matter. It’s hoped that I’m not right when suggesting the above has a certain whiff of  “collusion” to it. Publishing is already altogether too rife with that just now, and the public deserves far better from everyone in the industry at the best of times, never mind these trying economic times of ours.

Be assured that your order is, in fact, far larger than the number of copies I’ve sold at this slightly discounted price, so it’s unlikely that you will feel a reduction of any sales figure due to my efforts. It’s probable that none of the people who purchase from you are even aware that Atomic Fez has a web site, never mind is offering prices lower than the RRP, and any print or internet advertisement I run does not include the fact, leaving it to the visitor to discover as “an added bonus” and thus not directly competing with your offering in any way more than someone comparing prices might do with Amazon and Waterstone’s .

I am aware of the difficulty of an independent book shop competing with others’ deep discounts, having worked quite some number of years in retail, including about five in a single-​​location book shop.

If the Internet is a shopping mall, yours is a full retail bookstore with the positive aspect of a massive selection as its approach. Atomic Fez’s selection has the vastly limited “only a few titles” approach of a wholesaler, thus making selection only a few things, thus the only advantage is one of a slight discount, presuming someone wants a copy of one of the handful of titles in the first place. Your customer base is vast and eclectic, mine is “folks what know me”. So, you see, I’m still in a position of struggling and limited appeal.

But, speaking of presumption, this publishing nonsense is in fact my only income, so the “other reasons” you allude to are of little relevance to me, yet aren’t entirely clear to me either. This is a business I’m running here (although my bank management might disagree).

Your order and continued customs is valued, as is your position. Please let me know if you have any concerns.

That then got me wondering about things, and thus I tweeted as follows:

Which didn’t elicit any response, but I did a bit of research in order to know that I was actually headed in the right direction and found both the one in the Oxford English Dictionary (Concise) and THIS DEFINITION of “collusion” to be applicable, both with the “overt” and “tacit collusion” uses of the word.

CLICK to embiggen

This notion of collusion – coupled with the widely distributed (widely on Facebook, anyway) image to the left encouraging people to buy local, support the arts, and coming at the same time as people are wanting to not support the National Hockey League’s Board of Directors after screwing the fans through the Players’ Association – got me tweeting this:

The retailer then got back to me in response to my original note, asking the following:

I am sorry but collusion between who and who?  I have spoken to no-​​one about this.  I have no idea if anything else is stocking it.  Or (again) am I missing something?

One might suggest that he’s missing the fact that he spoke to me about the price being charged here on Atomic Fez site, which is precisely the point which had attempted to be made.

So, after saying the news that further orders weren’t going to be placed by them was surprising and disappointing  I took another run at explaining the position which they were placing me in.

The suggestion of “collusion” is a considered one, in that you seemed (and that word is also carefully considered) to be suggesting we both need to charge the same rates, even though we serve entirely differing markets. Additionally, whenever any product is offered for sale in the marketplace for an identical price no matter who the offering business is, then the consumer is ill-​​served as competition is not engaged in. Your tacit suggestion that my rate should be identical to yours, thus equal to the RRP, despite the differing markets and situations, amounts arguably to a mild form of collusion. I cannot tell you what price to charge, nor would I expect to do so; the closest being the recommended retail price. This principle is why the old Penguins and Corgis have the statement about how the RRP isn’t valid in Australia because even suggesting a price to a retailer was frowned on there.I’ve no idea what the feeling in [your area] is about it, nor the local regulations, but in the USA there’s a massive broo-​​ha-​​ha about “price fixing” using the “agency model” in an alleged arrangement between Apple’s iBooks Store and the major publishers. Their purported discussions and operating principles behind that situation sounded to me like just about every single principle which has driven the publishing industry since day one. The one thing which did stick out was the aspect that the publishers and the retail outlet of the iBooks Store were coming to terms regarding the final selling price to the customer, and that’s not on. The retailer sets a price at which the product is offered for sale to the customer, who then has the right to either accept it or offer a new one for the retailer to accept. No one is going to walk into a drug store and start haggling over shampoo, but that’s the theory.

What it comes down to is this: I sell to you at the RRP, which is there for anyone to sell at: Amazon, Chapters, WH Smiths, yourself, or whoever. You are charged 40% (or 30% for Limited Editions) less than that RRP for your wholesale chargeable cost. What you actually charge your customers is entirely up to you, and I’ve no part in that beyond the original RRP. If Amazon or Chapters or [another independent book dealer] decides to deep-​​discount my titles, I can’t stop them, just as when the Amazon retail partners “thebookcommunity_​ca” or “Vanderbilt CA” decide to charge several times the RRP (it’s happened several times, and is likely a money laundering scheme which doesn’t involve a single copy of the book).

My slight discount at the “manufacturing source” is not meant to approach the added value that your carrying of a broad selection of titles and authors which rightly justifies whatsoever price you seem appropriate independent of any wishes I may have.

It’s simple free market economics.

CLICK to get details
THE DESIGNATED COCONUT by John Travis [cover by Sunila Sen-​​Gupta]

It’s entirely probable that the individual hasn’t read anything of my notes beyond the first paragraphs of each of them (which is suspected owing to none of the later points made are even mentioned in passing). This is not something I have any influence over.

Honestly; I don’t expect to become Midas doing this. I don’t even expect to become able to buy a new car each year after throwing away the one from the previous year. I’m simply trying to find ever possible way I can find an advantage both ethically and economically, in order to pay authors a decent royalty and cover the simple cost of production of the books. I also have a need to pay my own bills (heat, light, food) which aren’t a part of the actual price of publishing eclectic, genre-​​busting fiction. So far, the bills for printers and author’s royalties have been always paid, and most of those and further costs have been borne by means other than revenue.

When someone suggests that someone’s slight advantage is something that they themselves cannot condone, then one should be a bit concerned about what sort of influence they feel is right. As it’s certainly not helping me anyway, then it seems even the potential of competition isn’t welcomed, and one wonders if this is the sort of world one wishes to be a part of in the first place.

Atomic Fez continues to support the selling of its books by anyone and at any price they see fit. If books are sold, then they are read; or what’s a Heaven for?

MESSAGE: Happy Christmas

We’re taking a bit of a break until next year, which will see at least three new titles from gifted authors, and only one of them will be from someone you’ve already seen here. Hooray for new books!

Until the return in 2013, orders continue to be monitored, as does eMail for any questions you might have about eBooks purchased with brand-​​new electronic readers over the season. 

If your beliefs do not match with the celebration of Christmas, you are encouraged to get in the spirit of the Solstice season which promotes the enjoyment of longer days, much food, good fellowship, and the treatment of all peoples equally (even if they happen to read the “Twilight” series of books).

Well see you on the other side of New Year’s, and please accept all the best wishes for you and yours, as expressed below.

Standard Holiday message


The title is as it is due to just about anyone I’ve come across in the last little while being well and truly tired of hearing either of those phrases. If you’re in Canada, a close third is “Grey Cup”, or “Presidential Election” if you’re in the USA, or any use of the words “phone hacking” if you’re in the UK. So let’s move on before we all acquire a case of the dry heaves, shall we?

Ah… the open, airy, spacious experience that is the new paragraph… ahhhhhhh.

This is a bit of a “catch-​​up”, “bits and/​or bobs*  which got missed”, word about some “new stuff”, plus a bit of news about pricing.


Let’s say, for some reason, you think the world of Atomic Fez, and love it so much you’d like to declare to the world your support of it. How might one do this, you ask yourself? Why, by ordering something with the mighty logo of Atomic Fez Publishing, that’s how! Shirts, mugs, bags, caps, beer steins, glasses, hip flasks, cocktail shakers, even “unmentionables” for both ladies and gentlemen!

There’s two shops on the interwebs, in order to increase your options for the sake of flexibility.

So if you are already thinking of getting one of Uncle Warren Ellis’s shirts on Café Press, there are options for Atomic Fez to add to your order and make your shipping charge go farther.

On the other hand  If you don’t want to tell people that “Warren Ellis put his disease in me”, then you can head to the Spread Shirt store and fill your life with all sorts of Atomic Fez stuff! I’ve not yet located other worthwhile things in Spread Shirt. No doubt they are there, they just haven’t been found by me yet. 

Here’s the two options: 

Spread Shirt


Café Press


So… there you are.

New Books Fully Available!

CLICK for details of this titleAfter some nagging and sorting and more nagging and some payment of bills, there are the full range of both The Designated Coconut and The House That Death Built available in the shop (click the cover images or the titles for the particular pages).

While the print runs for the North American market won’t be done until the spring of next year, those of you in Canada or the United States of America can order copies today if you just can’t wait until then for your very own copy, you’ll just have to pay the shipping cost for the extra distance to your address from the United Kingdom (which, honestly, isn’t that much or a rise in charge). 

CLICK for details of this titleIf you prefer your books to be electronic, however, WAIT NO LONGER! as those editions are available in all three flavours: locally sourced, the international Kobo store, or your nation’s Kindle Store (there’s seven to choose from)! All are available now, just remember that the most money ends up in the hands of authors with the “direct from Atomic Fez” option, and you can still load those on any device you own that displays eBooks, and they’re always DRM-​​free for your technological and “future-​​proof” convenience. The authors thank you for supporting their ability to have real roofs under which to eat actual food (greatly increased health has resulted in extensive lab testing when including both these things in a writer’s environment).

Most Prices Newly Reduced!

After some time has passed after initial excitement over a title, people need a little incentive to re-​​awaken their interest in a book they might have passed over initially. Thus, some alterations on some prices for earlier titles in a rather downward direction (IE: old books cost less). Also, the new books available here are at special “direct from the publisher” prices, even when brand new.

The third thing that’s changed is the “one penny less than a full, round number” is gone. Honestly, who are we kidding here? Yes, there’s the famous idea of if it’s priced at $19.99 people don’t think of it as $20, that seems too expensive idea, but it’s probable that everyone is entirely wise to that by now. If a book is £8.99, I suspect that all of your are saying to yourself “right, so that’s just over a ten-​​pound note by the time there’s postage added” just the same as if it was priced as “nine pounds”. So, when the prices being charged went down, the rounding was included along the way.

Here’s an example of how this works, in case you got lost along the way of my oddly constructed explanation.

Wicked Delights by John Llewellyn Probert
Cover of WICKED DELIGHTS Recommended Retail
(or “Cover”) Price

$39.99 (Canada)
£22.99 (UK)
$39.99 (USA)
Old “Atomic Fez
Direct” Price

$39.99 (Canada)
£22.99 (UK)
$39.99 (USA)
New “Atomic Fez
Direct” Price

$30 (Canada)
£15 (UK)
$30 (USA)

So much easier, isn’t it?

The buttons for the various editions and nations have been moved over so that it’s more obvious as to what’s applying to which thing, so that ought to go some distance to helping everyone understand what’s available. 


There’s not much point in me forcing people to operate under my rules if they don’t either make sense to you or you think they’re stupid. After all, you’re supposed to want to buy these books and navigating your way through complications and mystery options isn’t going to do anything for your happiness, which is going to have a damaging direct effect on the number of those books being read by people… which is not what any writer wants. 

Thus, please let me know what you think of all of the above, either by replying directly to me through Graphic used to foil SPAM or by commenting below, whichever you’re most comfortable with. 

Thank you for your time reading this, your custom, and your support of independent authors and their publisher.

* I’ve always wondered, if a table is covered with ‘bits & bobs’, and all of them but one fall on the floor, what’s left? A ‘bit’, or a ‘bob’? Answers on a postcard to the usual address. [ ↑ return ↑ ]

The Mighty logo of Atomic Fez Publishing logo and colophon designed and Copyright © 2009 Martin Butterworth of The Creative Partnership [ ↑ return ↑ ]

Anywhere but here. Thanks. [ ↑ return ↑ ]

CONTEST: Winner of “The House that Death Built”… and much more!

The winner of the original, marked-​​up, edited manuscript for, plus Copy Nº1 of the Limited Edition of  The House that Death Built has been determined! Not only do they win both of those, they also win a copy of Wicked Delights, plus a bound copy of the “manuscript version” of Terribilis written by Carol Weekes (these was planned to be used entirely for valued individuals who could provide cover quotes, but some were left over after the initial mailing was done).

Here’s the video of the draw taking place!

And for those who haven’t the bandwidth or patience to watch it, the winner is:

Riju Ganguly
Gujarat, India


Post-Event Summary Stuff

So… that went well… I think.

The actual financials are yet to be examined, especially the ones from the BFS FantsyCon 2012 in Brighton, as Christopher Teague is still probably trying to remember what he did most of the week-​​end. 

All my bags are packed…

It seems, however, that the BFS FantasyCon has once again been rocked – ROCKED! I SAY – with controversy. I’ll say no more, pointing simply to THIS POST over on Joe Abercrombie’s blog. 

Much like Chris Teague does, I approach a convention or similar event an opportunity to remind others that Atomic Fez exists, and to share information with readers, authors, and other publishers; not as an opportunity to make lots of lovely lovely money! I wouldn’t say ‘no’ to money, obviously, it’s just not the principal reason I’m there.

VCon 2012 was the thing for me here in Metro Vancouver: a chance to have a good visit with the brains behind Gaukler Medieval Wares [ :: waves at lone visitors to blog :: ], trade well-​​meaning insults with Brian Hades of EDGE Science Fiction and Fantasy Publishing, and generally wonder when can I run away and get some decent coffee? I did a couple of panels – one about eBooks v paper ones, the other about submitting material to differing markets – but wasn’t able to check-​​out any others, owing to being on my own in the Dealers’ Room. Ah-​​well.

Next year you’ll probably find Atomic Fez at more events, and in more locations than normal! Additionally, it looks likely you’ll see the Publisher /​ Proprietor at all those events too, as the dates don’t over-​​lap for any of them! Look forward to more details about the following events (mark your calendars now):

Now please excuse me as I try to catch-​​up on some orders that have been ignored for the last week or so. Plus some sleep that was over-​​looked. Thanks.